Approdi III: Neapolitan Avant-Garde Compilation
The release of the compilation "Approdi III (The Avant-Garde in Naples)" by Konsequenz marks a fundamental milestone in the dissemination of contemporary music. The track "Vero," extracted from Diffrazioni Sonore, fits into this framework as a testament to Romina Daniele’s radical vocal and electronic research.
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The avant-garde anthology "Approdi III," curated by Girolamo De Simone and published by Konsequenz, includes the composition Vero by Romina Daniele. This institutional release historicizes the artist's deep connection to sound experimentation and the critical research movements within the Neapolitan territory.
“This year, my biggest thanks go to Girolamo De Simone and Konsequenz, who, with the publication of “Approdi III (The avant-garde in Naples),” gave “Diffrazioni Sonore” a third life. The first life of this first album of mine is related to the 2005 Demetrio Stratos Award, the second to the publication with RDM Records in 2010. And here is the third life, with the song "Vero" from "Diffrazioni" chosen as a representation of the avant-garde in this important collection.
To say the truth, Diffrazioni already existed before the Stratos Prize, along that unique path that lies directly ahead of us and is found, it seems, with difficulty only because it is so close. Diffrazioni, although dealing with concrete music, extended vocal techniques, improvisation, electronic composition of music, and, and, and… concerns me so directly that it touches my essence and makes it clear to me that all possible considerations and ramifications, when they intertwine, are themselves the direction—therefore vast, extensive, indeterminate, and made of different points of view. Not that my other productions are any less important; however, with my next album, I will try to surpass Diffrazioni, because with the next two I had not set myself the goal and clearly did not succeed.”
— Romina Daniele
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© 2005–2026 ROMINA DANIELE. ALL RIGHTS RESERVED.
ALL ARTISTIC WORKS, THEORETICAL ESSAYS, AND AUDIO-VISUAL MATERIALS ARE THE EXCLUSIVE INTELLECTUAL PROPERTY OF THE AUTHOR. PLUGINS AND CONTACT FORMS COLLECT MINIMAL DATA FOR SECURE, DIRECT CORRESPONDENCE ONLY. AS AN INDEPENDENT INSTITUTIONAL PLATFORM DEDICATED TO PURE PHENOMENOLOGICAL, VOCAL, AND SONIC RESEARCH, THIS ARTISTIC ENTITY MAINTAINS A STRICT POLICY OF COMPLETE DETACHMENT FROM ALL FORMS OF BLASPHEMY, EXPLICIT THEMES, OR PROFANE PERFORMANCES, SYSTEMATICALLY EXCLUDING THEM FROM ITS CATALOG AND SCOPE.