
Galliate Master Guitar: World Premiere of La Natura Assente (II) on the AUDIOR Acusmonium
The world premiere of the electroacoustic composition La Natura Assente (Part II) by Romina Daniele. The performance took place within the International Master Guitar Festival utilizing the AUDIOR acusmonium, under the live sound projection and spatialization coordination of Dante Tanzi and Eraldo Bocca in the 19th-century Hall of the Castello Sforzesco.
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JUNE 2013
Acusmonium AUDIOR
La Natura Assente (II)
A milestone presentation of fixed-sound research, where the boundary between sound and noise is completely dismantled, transforming extended vocal techniques and processed electric guitar into an immersive acusmatic architecture across a massive multi-speaker array.


We share the performance details and official scheduling for the live debut of the electroacoustic work featured on the program. The event is set within the prestigious framework of an international festival dedicated to sound research and the spatialization of acusmatic music. Below are the performance times, festival details, historical venue specifications, and institutional references.
The electroacoustic composition LA NATURA ASSENTE (PART II) World Premiere:
The electroacoustic composition La Natura Assente (Part II) by Romina Daniele—scored for voice, electronics, and electric guitar—was performed in its world premiere on Friday, June 7, as part of the Galliate Master Guitar festival ("Chitarre e altre corde" / Guitar and Other Strings), beginning at 21:00.
The composition was projected and spatialized for the very first time on the AUDIOR Acusmonium—deploying a massive orchestra of 54 loudspeakers—under the live coordination of sound projectionists Dante Tanzi and Eraldo Bocca. The concert featured a curated selection of electroacoustic works built upon the sonic manipulation of guitar sounds (both electric and acoustic) and other stringed instruments. Developed and recorded as fixed studio mediums, these compositions share a rigorous intentionality: pushing the boundaries between sound and noise to the point where all existing and imaginable sounds become potentially viable raw material for artistic creation.
Venue & Performance Infrastructure:
Location: Sala Ottocentesca – Castello Sforzesco of Galliate (Novara, IT)
Performance System: AUDIOR Acusmonium (54-speaker array)
Live Spatialization Sound Projectionists: Dante Tanzi, Eraldo Bocca
Archival Festival Link: www.masterguitar.it




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ALL ARTISTIC WORKS, THEORETICAL ESSAYS, AND AUDIO-VISUAL MATERIALS ARE THE EXCLUSIVE INTELLECTUAL PROPERTY OF THE AUTHOR. PLUGINS AND CONTACT FORMS COLLECT MINIMAL DATA FOR SECURE, DIRECT CORRESPONDENCE ONLY. AS AN INDEPENDENT INSTITUTIONAL PLATFORM DEDICATED TO PURE PHENOMENOLOGICAL, VOCAL, AND SONIC RESEARCH, THIS ARTISTIC ENTITY MAINTAINS A STRICT POLICY OF COMPLETE DETACHMENT FROM ALL FORMS OF BLASPHEMY, EXPLICIT THEMES, OR PROFANE PERFORMANCES, SYSTEMATICALLY EXCLUDING THEM FROM ITS CATALOG AND SCOPE.
