New Research Essays for Electroacoustics Magazine and Relaunch of the Editorial Hub (2026)
Within the framework of the Arts & Technologies project, the latest theoretical writings authored by Romina Daniele for Electroacoustics Magazine are presented. Concurrently, RDM Records officially announces the relaunch of the Electroacoustic Research Hub with the opening of the 2026 international call. A transdisciplinary path uniting philosophical inquiry, sound archaeology, and media analysis.
ANNOUNCEMENTSPUBLICATIONS
When technology redefines the boundaries of art, sound emancipates itself to become pure epistemological signification: discover the new theoretical publications and participation guidelines for 2026.
The scientific-philosophical catalog of RDM Records is enriched by a new series of crucial research and contributions, tracing the state of the art of contemporary electroacoustic and multimedia investigation. Among the new essays published in Electroacoustics Magazine, studies of profound theoretical and critical impact by Romina include:
«The Resonance of the «Déjà-Là»: Correspondences, Inversions, and Material Frictions Between Chion’s Impossible History and the Electroacoustic Imperative»: On the theoretical correspondences in reverse between Michel Chion's recent writings and the place of music within audiovision, from the «audible montage» of Ascenseur pour l'échafaud to Chionian pan-significance, passing through the Deleuzian time-image to discover «para-acoustic» horizons, this side of the erasure, lamination, and hyperreal clarity of digital flows.
«The Ghost in the Garden: An Electroacoustic Critique of the Miami Beach SoundScape Park»: A piece of media archaeology. This article documents a moment where technology was used to celebrate the unbounded, vibrant frequency of the city of Miami Beach, only to later be reduced to a "Functional Background" for a "True Crime" story.
«FILM ANALYSIS: THE DIGITAL CADAVER A Critique of "Loving Vincent"» (by Romina Daniele & Jadys Daniele): A semiotic critique exploring how, beyond the 65,000 hand-painted frames, lies a profound semiotic disconnect. This review explores how "Stylistic Taxidermy" and a narrative of "Social Assassination" turn Van Gogh's revolutionary tools into a monument for his death rather than a temple for his spirit.
Contextually, the formal relaunch of the Electroacoustic Research Hub is announced. Evolving from a 15-year legacy, the editorial wing has officially opened the call for submissions for the 2026 series of Arts and Technologies (Arti & Tecnologie), consolidating the unified research infrastructure between Italy and the United States.
Explore the full texts and discover the editorial guidelines directly on the official platform:
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ALL ARTISTIC WORKS, THEORETICAL ESSAYS, AND AUDIO-VISUAL MATERIALS ARE THE EXCLUSIVE INTELLECTUAL PROPERTY OF THE AUTHOR. PLUGINS AND CONTACT FORMS COLLECT MINIMAL DATA FOR SECURE, DIRECT CORRESPONDENCE ONLY. AS AN INDEPENDENT INSTITUTIONAL PLATFORM DEDICATED TO PURE PHENOMENOLOGICAL, VOCAL, AND SONIC RESEARCH, THIS ARTISTIC ENTITY MAINTAINS A STRICT POLICY OF COMPLETE DETACHMENT FROM ALL FORMS OF BLASPHEMY, EXPLICIT THEMES, OR PROFANE PERFORMANCES, SYSTEMATICALLY EXCLUDING THEM FROM ITS CATALOG AND SCOPE.