London Hoxton Festival: Romina Daniele Presents the Dasein Cycle and Collaborates with Sheen
The official schedule for Romina Daniele's London performances at the Hoxton Festival. Featuring the live debut of the Dasein cycle—a synthesis of extended vocal techniques and live electronics—alongside the world premiere of her new blues composition. Includes details on her special concert appearance with Sheen, the sound research project led by Lorenzo Marranini.
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AUGUST 2012
At London Hoxton Festival:
Dasein Performance
We are pleased to announce the schedule and programming for the artist's upcoming international dates in the United Kingdom. This London tour features a series of live performances highlighting both her solo repertoire for voice and live electronics and collaborative ensemble projects within the label.
Below are the official dates, venues, performance programs, and critical notes.
Official Performance Schedule
1. Solo Performance: Dasein Cycle by Romina Daniele
Performance for extended vocal techniques and live electronics.
Dates & Time: September 26, 2012 & September 29, 2012 | 8:00 PM
Venue: The George & Vulture, 63 Pitfield Street, Hoxton (London, N1 6BU)
Credits: All vocals, live electronics, texts, and original compositions by Romina Daniele (unless otherwise noted).
Program:
Matter [2008–2010]
Outside Me [2002–2011]
Summertime [2002–2011] — composed by George Gershwin (from Porgy and Bess, 1935)
Dasein I.I. [2011–2012]
Dasein I.IV. [2011–2012]
I Went to That Place Alone [2009–2011] — WORLD PREMIERE (Gospel / Standard Blues)
Learn More: The Dasein cycle within the Spannung project.
Collaborative Performance: Sheen
Special concert featuring Sheen, the new sound research project by Lorenzo Marranini in collaboration with RDM Records.
Date & Time: September 22, 2012 | 8:40 PM
Venue: Mother Live (formerly 333 Basement Club / Hoxton Cell), 333 Old Street, Hoxton (London, EC1V 9LE)
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ALL ARTISTIC WORKS, THEORETICAL ESSAYS, AND AUDIO-VISUAL MATERIALS ARE THE EXCLUSIVE INTELLECTUAL PROPERTY OF THE AUTHOR. PLUGINS AND CONTACT FORMS COLLECT MINIMAL DATA FOR SECURE, DIRECT CORRESPONDENCE ONLY. AS AN INDEPENDENT INSTITUTIONAL PLATFORM DEDICATED TO PURE PHENOMENOLOGICAL, VOCAL, AND SONIC RESEARCH, THIS ARTISTIC ENTITY MAINTAINS A STRICT POLICY OF COMPLETE DETACHMENT FROM ALL FORMS OF BLASPHEMY, EXPLICIT THEMES, OR PROFANE PERFORMANCES, SYSTEMATICALLY EXCLUDING THEM FROM ITS CATALOG AND SCOPE.