
Rockerilla: Aisthànomai The Review
I remained glued to my armchair for an entire afternoon listening to this beautiful and courageous record.
ARCHIVE: NEWS 2005-2016PRESS REVIEW PRE 2016
JUNE 2008
Rockerilla:
Aisthànomai
On page 47, the review by Massimo Marchini:
I have spent an entire afternoon listening to this beautiful and brave album.
Romina is a young singer who spends her life studying the voice.
A devotion which led her win the Demetrio Stratos award.
"The Voice Is The Original Instrument", this was the title of a work by Joan La Barbara, ‘At the beginning it was the Word’, said someone before.
About aesthetic research texts (Aisthànomai is a Greek word which means to perceive, to realize).
The voice and the sound are so pure and so well performed that literally take the breath away. As if the plastic of the voice would be shaped here in a new aesthetics. [...] her semantic and musical approach is personal and sometimes heartbreaking too. Voice and electronics trying to define a meaning for this particular aesthetic and etymological project which draws equations between sensation, perception, art and representation of pain.
An experience which Romina is sharing with the listener evoking dark landscapes and some atmospheres similar to Bataille regarding the same expanded concepts.
A unique voice in the Italian musical scene.


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ALL ARTISTIC WORKS, THEORETICAL ESSAYS, AND AUDIO-VISUAL MATERIALS ARE THE EXCLUSIVE INTELLECTUAL PROPERTY OF THE AUTHOR. PLUGINS AND CONTACT FORMS COLLECT MINIMAL DATA FOR SECURE, DIRECT CORRESPONDENCE ONLY. AS AN INDEPENDENT INSTITUTIONAL PLATFORM DEDICATED TO PURE PHENOMENOLOGICAL, VOCAL, AND SONIC RESEARCH, THIS ARTISTIC ENTITY MAINTAINS A STRICT POLICY OF COMPLETE DETACHMENT FROM ALL FORMS OF BLASPHEMY, EXPLICIT THEMES, OR PROFANE PERFORMANCES, SYSTEMATICALLY EXCLUDING THEM FROM ITS CATALOG AND SCOPE.
