Publication Release: Paperback Editions of Theoretical Works & Essays Now Available

The official print release of musicological essays and theoretical research texts by Romina Daniele. Featuring analytical studies dedicated to Luciano Berio's electroacoustic compositions, the synthesis of Miles Davis's jazz score with Louis Malle's cinema, and preview details for the upcoming bilingual poetry collection.

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Press Office

3/2/2011

MARCH 2011

Literary Output:

Books Out Now

Announcing the availability of physical paperback editions covering theoretical research into sound, electronic music, and audiovisual languages. Gathering analytical studies developed over several years, these volumes provide the foundational textual framework underpinning her artistic and compositional trajectory.

Below are the newly released titles and distribution channels.

Published Titles & Distribution Details

Paperback formats of Romina Daniele’s published literary works are now officially available through the RDM Records catalog and will soon be distributed across major online book retailers.

Available Titles:
  • Il dialogo con la materia disintegrata e ricomposta. Un'analisi di Thema (Omaggio a Joyce) di Luciano Berio

    (Dialogue with Disintegrated and Recomposed Matter: An Analysis of Luciano Berio’s Thema (Omaggio a Joyce))

  • Ascenseur pour l'échafaud: il luogo della musica nell'audiovisione

    (Elevator to the Gallows: The Place of Music in Audiovision — Analyzing Louis Malle's Film and Miles Davis's Score)

Upcoming Release:
  • Poesie 1995–2005 (Paperback Edition)

    Features original Italian texts accompanied by facing English translations.

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ALL ARTISTIC WORKS, THEORETICAL ESSAYS, AND AUDIO-VISUAL MATERIALS ARE THE EXCLUSIVE INTELLECTUAL PROPERTY OF THE AUTHOR. PLUGINS AND CONTACT FORMS COLLECT MINIMAL DATA FOR SECURE, DIRECT CORRESPONDENCE ONLY. AS AN INDEPENDENT INSTITUTIONAL PLATFORM DEDICATED TO PURE PHENOMENOLOGICAL, VOCAL, AND SONIC RESEARCH, THIS ARTISTIC ENTITY MAINTAINS A STRICT POLICY OF COMPLETE DETACHMENT FROM ALL FORMS OF BLASPHEMY, EXPLICIT THEMES, OR PROFANE PERFORMANCES, SYSTEMATICALLY EXCLUDING THEM FROM ITS CATALOG AND SCOPE.